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    Cinematical

    5 Questions With: Ron Howard

    Ron HowardWith an eclectic list of directorial triumphs -- 'Parenthood,' 'Apollo 13' and 'The Da Vinci Code,' to name just a few -- on his resume and a pair of Academy Awards for 2001's 'A Beautiful Mind' adorning his mantel, Ron Howard is back in the running for a couple more statues with his movie adaptation of Peter Morgan's acclaimed play 'Frost/Nixon.'

    Moviefone chatted with the accomplished director about the film, which chronicles the behind-the-scenes pyrotechnics surrounding the 1977 interviews between playboy TV host David Frost and disgraced ex-President Richard Nixon; about (finally!) bringing the beloved sitcom 'Arrested Development' to the big screen; and about returning to his acting roots to reprise the iconic role of Richie Cunningham.

    1. What compelled you to adapt 'Frost/Nixon'? Was there something you felt a film would bring to the table that the stage version did not?

    Well, I saw what they discovered with the play was something that was so surprisingly entertaining and engrossing -- that it was one of those situations where you think you might know what happened but behind the scenes it's just so much more entertaining and involving than you'd ever imagined. And I felt that it was also a pretty cool era to evoke onscreen. And in a lot of ways, David Frost sort of embodied that -- his spirit, his energy, the whole globetrotting, freewheeling playboy celebrity that he was, among other things, during that time. I thought he was a really fresh character to center on and put into conflict with Richard Nixon.



    2. With a film that's anchored in fact but also incorporates some elements of fiction, there are bound to be some who say that you're taking liberties with history. What's your response to that? Is it all in the name of entertainment?

    Well, entertainment and insight. It's one of those things where the facts may not all be correct, but the truth is getting told. And I think, you know, it's an interpretation. It's mine. It's Peter Morgan, the writer's. It's the actors' interpretation of what we've come to understand about the events and the people surrounding those events. But even where there's creative license that has been taken, it's really been trying to make the story cohesive and engrossing and fun to watch, and also allowing the audience to understand a little bit better what really seemed to make these guys tick.



    3. What was the coolest part about filming?


    The actual filming of the interviews was pretty intense because I was, as a director, trying to make it as immediate as possible so it's almost as if the audience is right there with these guys in the room and all those dramatic fireworks are going off. And these two actors [Frank Langella and Michael Sheen] were just, take after take, extraordinary. People would gather around the monitors where I'd be sitting watching the cameras and their jaws would drop. The work that these guys were doing -- what they understood about these characters -- was riveting. It was also very cool to shoot at the real Casa Pacifica, Nixon's Western White House. When you're in situations like that, it's almost like you're a kid that's snuck into the locker room at Yankee Stadium or something. You realize all the history, all the individuals -- individuals that you are depicting -- really lived, breathed and sorted out all their problems in that space in which you're filming now. It adds to the sense of responsibility. You also gain a lot of insight because around those environments are the people who knew the individuals that you're trying to dramatically depict. We picked up all kinds of great details that we could offer back to the audience.

    4. What's the latest scoop on the 'Arrested Development' movie?

    There's no script. There's no start date. But I feel like there's this unified intention to do it and a real creative appetite to do it. I'm excited about it. And I know they've got a narrator standing by, that's for sure [laughs]. I'd [also] be one of the producers of the film. Mitch Hurwitz would write and direct and produce as well. I think it would be a happy reunion for the cast, who just loved the show and missed it from the moment it ended -- and a real great challenge for Mitch, who I think is going to wind up being a real great filmmaker. This is a great way to get him started.

    5. You recently "reprised" your iconic roles as Richie Cunningham and Opie for a FunnyorDie clip encouraging people to vote. What was that like? Did it make you miss acting at all?

    [Laughs.] It reminded me that acting is hard work -- even doing that satirical, tongue-in-cheek Obama endorsement. It's a high-wire act whenever you get in front of the camera. It's one of the reasons I think I get along so well with actors -- they know that I really empathize with what they're trying to accomplish.

    See the Top 25 Child Movies Stars of All Time


    Movie Scoop in Bite-Sized Form

      Hardwicke Won't Direct 'Twilight' Sequel
      Catherine Hardwicke may have delivered the biggest opening weekend ever for a female director with 'Twilight,' but even her job isn't secure in this economy. Citing a rushed production schedule as the cause, Hardwicke will NOT return to direct 'New Moon,' the sequel to the vampire romance hit, according to The Hollywood Reporter. (Dec. 8)

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      Ledger Wins Aussie Best Actor Award
      The Australian Film Institute has honored Heath Ledger with the international actor award for his turn as the Joker in 'The Dark Knight,' says Variety. His mother and sister accepted the award to a standing ovation. (Dec. 8)

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      DC Critics Honor 'Slumdog'
      'Slumdog Millionaire' may have entered the awards season a dark horse, but the feel-good indie is quickly becoming an Oscar favorite. Hot on the heels of being name the best film of the year by the National Board of Review, Variety reports that 'Slumdog' has earned the same honor from the Washington, DC, Area Film Critics Association. (Dec. 8)

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      LaBeouf Flees 'Dark Fields'
      Shia LaBeouf has dropped out of the psychological thriller 'Dark Fields,' says FoxNews.com. The reason: The hand he injured in an auto accident this summer is allegedly "way worse" than initially thought. (Dec. 8)

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      'Jurassic Park IV' Is Extinct
      Despite commissioning a 'Jurassic Park IV' script in 2004, producers Frank Marshall and Kathleen Kennedy tell ComingSoon.net that the project has been abandoned. Of the franchise's future Kennedy says, "When [author Michael] Crichton passed away, I sorta felt maybe that's it." (Dec. 8)

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      'Dark Knight' Re-Release Slated for Jan. 23
      The year's biggest commercial hit will look to boost its $530 million domestic haul AND its Oscar chances by heading back into theaters on Jan. 23, Variety reports. Just in case the Academy needs a reminder that popcorn flicks can be art. (Dec. 5)

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      NBR Names 'Slumdog Millionaire' Year's Best Film
      The Best Picture Oscar prospects of Danny Boyle's 'Slumdog Millionaire' have just skyrocketed, with the National Board of Review naming it the best film of 2008. Get the full story from PopEater. (Dec. 5)

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      SAG Strike Vote Won't Disrupt Globes
      Though the Screen Actors Guild is calling for a strike vote that could cause yet another crippling work stoppage in Hollywood, Variety reports that the vote won't occur until around Christmas. This makes it highly unlikely that Jan. 11's Golden Globes will be canceled for the second year in a row. (Dec. 5)

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      Anna Faris Doubles Up
      In the wake of 'House Bunny''s surprise success, Anna Faris has lined up two new flicks, says The Hollywood Reporter. One is an untitled female buddy comedy; the other is '20 Times a Lady,' a rom-com about a woman who explores her sexual past for Mr. Right. (Dec. 5)

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      Fox Is 'Romancing the Stone' Again
      The studio has tapped Daniel McDermott ('Eagle Eye') to pen a remake of the romance-action-comedy 'Romancing the Stone,' says The Hollywood Reporter. The 1984 original, about a hapless romance novelist caught up in a dangerous Colombian adventure, launched the career of director Robert Zemeckis and made Michael Douglas and Kathleen Turner bankable leads. (Dec. 4)

      20thCentFox / Everett Collection

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