
Lately you can't walk into a theater or turn on the TV without seeing the major-league destruction of the '2012' trailer.
Roland Emmerich's feature is the ultimate in disaster porn: fire, explosions, bridges and highways collapsing, and our hero John Cusack flying through all the carnage in a small plane.
St. Peter's Basilica is turning into Vatican rubble, the Eiffel Tower's going horizontal -- it's the visual equivalent of a pot of espresso with a Red Bull chaser. Of course, this is nothing new; destroying national landmarks and infrastructure is a Hollywood tradition, and the producers of
'2012' have these films to thank for paving the way -- or at least blowing it up.